Ancient books, Article by: Cillian
O’Hogan/ Αρχαία
βιβλία, άρθρο
του
Cillian O’Hogan
Theme: The makers of Greek
manuscripts
What did books look like in
antiquity? In this article, Cillian O’Hogan tells how ancient books were made,
and traces the process by which the bookroll was replaced by the codex.
In
Ancient Greece, books did not take the form known
to us today, but rather were in the shape of rolls made out of papyrus. The
papyrus plant grows widely in Egypt, and the material itself is made by cutting
the stem of the plant in half and laying it crosshatch over itself, like a
weave, before hammering it together. Papyrus sheets were formed in a range of
sizes. Width was closely related to quality: rolls containing wider sheets
tended to be more expensive than those containing narrower sheets. Bookrolls
could then be extended by the addition of extra sheets if necessary.
The
nature of our evidence means that we have far more primary
evidence about books from Graeco-Roman Egypt, where papyrus survives well
thanks to the climate. We do have some papyrus fragments from elsewhere in the
Graeco-Roman world, and some other writing materials survive from antiquity,
notably the Vindolanda Tablets, found at Hadrian’s Wall and now in the British
Museum, and the writing-tablets found during recent excavations in London, and
now at the Museum of London. But we should always bear in mind that our
first-hand evidence for ancient books is heavily shaped by what books looked
like in Egypt in particular, and this may not be reflective of other parts of
the ancient world.
Bookrolls could take a number of shapes and sizes, but studies have indicated
that the normal size was about 20 sheets long. An average rolled-up bookroll
was probably around the same size as a wine bottle. The amount of text they
could contain varied, but an individual bookroll could hold at least one book
of Homer’s Iliad, i.e. around 700 lines of poetry. The text would be written on
bookrolls horizontally, a column at a time – in the case of verse, these
columns corresponded to the length of individual lines, while in the case of
prose, the length could vary widely, but narrow columns tended to predominate.
While
some bookrolls were copied out by scribes trained in
writing literary texts, it is clear that others were the work of scribes more
accustomed to writing out documents. For instance, the Constitution of the
Athenians papyrus is the work of multiple scribes, none of whom appear particularly
accustomed to writing in a professional bookhand.
Constitution of the
Athenians
The Constitution of the Athenians (Papyrus 131 f001ar)
The Aristotelian Constitution of the Athenians is preserved almost intact
on four papyrus scrolls, copied around 100 CE (Papyrus 131)
View images from this item (2)[ https://www.bl.uk/collection-items/the-gospel-of-john-papyrus?shelfitemviewer=1&fromother=1&imgSelectedId={FE574A51-A517-46C6-8D67-794DAC75FBFE}#
][ https://www.bl.uk/collection-items/the-constitution-of-the-athenians?shelfitemviewer=1&fromother=1&imgSelectedId={1B6F0B9B-A6BA-4786-A751-CA788FE8DD9F}
]
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A text was initially copied on one side of the bookroll only. Usually
this side enabled the words be written ‘along the fibres’. Writing on the other
side, ‘across the fibres’, meant that as the roll was continually unrolled and
rolled up, cracks would begin to appear in the ink and it would become more
difficult to read. However, papyrus was expensive, and even in Egypt, where it
was widely available, many bookrolls were reused to house new texts. This is
found on bookrolls of all qualities, including beautifully-written high-end
volumes. To be re-used, a bookroll would be unrolled and inverted, so the text
on the verso would be upside down relative to the text on the recto. This
practice helps us to tell, when we have a fragment of a papyrus with unidentified
texts on it, whether the papyrus came from a bookroll or a codex.
How
the codex itself came into widespread use is unclear.
Wax and wooden tablets are known from references as early as the Homeric poems,
in which Bellerophon is given a ‘folded tablet’ (πἰναξ πτυκτὀς, Iliad 6.168) to deliver to the king of Lycia (the tablet contains a
note that the king is to execute the messenger). It has long been believed that
these tablets were the impetus behind the development of the codex form. Yet
tablets tended to be used as notebooks, which could be re-used, rather than for
recording literary works, as bookrolls were.
Moreover, the inherently brittle nature of papyrus meant that it was unsuitable
to being folded in half, an essential part of constricting a codex. Parchment
is far more suitable to the codex form. It is noteworthy that probably the
earliest example of an ancient literary text clearly in codex form is a Latin
text written on parchment around the turn of the 2nd century CE (Papyrus 745).
It is not necessarily the case, then, that wooden tablets, which were used for
temporary and ephemeral recordings, would have informed the development of the
parchment/papyrus codex. Some have, in fact, suggested, that the codex
developed separately, initially as a parchment format, elsewhere in the ancient
world (i.e. not in Egypt), and that the papyrus codex in Egypt appeared later,
perhaps some time in the 2nd century CE, having been influenced by parchment
codices. An example of a papyrus codex from this era is the Gospel of John
papyrus, two fragments of which are now held at the British Library. One of the
fragments is a bifolium (i.e. a sheet folded in half to form two folios), and
the holes where the sheet was sewn into a codex form can still be seen in the centre
of the fragment.
The Gospel of John
papyrus
The Gospel of John Papyrus (Papyrus 782)
Sewing
holes, used to join this bifolium to the other leaves in
the codex, can still be seen down the centre of this fragment (Papyrus
782/2484)
View images from this item (2)[ https://www.bl.uk/collection-items/the-gospel-of-john-papyrus?shelfitemviewer=1&fromother=1&imgSelectedId={FE574A51-A517-46C6-8D67-794DAC75FBFE}
]
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In
Egypt, the codex was slow to gain popularity, and bookrolls
continue to outnumber codices until the 4th century. One remarkable statistical
factor is that Christian texts are almost exclusively written on codices, in
stark contrast to classical Greek texts. There appears to have been a marked
preference on the part of Christians for the codex form.
Parchment, which refers to any animal skin that has been treated and stiffened,
is perhaps the most robust and useful writing support ever developed by humans.
It also provided the particular advantage of enabling much larger codices than
could be developed on papyrus, which was limited in size. The 4th century sees
two massive Greek Bible manuscripts come into existence, Codex Sinaiticus and
Codex Vaticanus at the Vatican. Both of these originally contained the entire
Bible, both Old and New Testament, a scale of book that could not have been
possible in a single volume made of papyrus. While the remarkable size of these
manuscripts is unusual, and most late antique and medieval parchment
manuscripts are of a more manageable size, their appearance is an emphatic
statement of the triumph of parchment and the codex form.
Codex Sinaiticus
Codex Sinaiticus f.244v-245. Open at
St Luke's Gospel, chapter 22, 20-71 chapter 23, 1-13
Originally containing 743 leaves (1,486 pages), Codex Sinaiticus represents the
triumph of the parchment codex form in antiquity (Add MS 43725)
View images from this item (5) [ https://www.bl.uk/collection-items/codex-sinaiticus?shelfitemviewer=1&fromother=1&imgSelectedId={9294EB4A-58A0-437F-98FD-548D3938B584}
]
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The
codex form also enabled speedier referencing. Although it
is not until the rise of printing that we find standard pagination in books, it
was still far easier to navigate to and find a specific passage in a codex than
in a bookroll. This may help to explain why the codex was popular amongst Christians,
and why medical and legal texts appear to have been among the earliest texts to
be found in codex form.
Written by Cillian O’Hogan
Cillian O’Hogan was Curator of Classical and Byzantine Studies at the
British Library between 2013 and 2015, and oversaw the third phase of the Greek
Manuscripts Digitisation Project.
http://pirforosellin.blogspot.gr/ -
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αναφέρεται ευκρινώς η πηγή του και υπάρχει ενεργός σύνδεσμος(link ). Νόμος
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Ορισμένα αναρτώμενα από το διαδίκτυο κείμενα ή
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